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    <loc>https://cleanlinesagency.com/thewritersroom/soft-power-and-sacred-futures-kerry-james-marshalls-diasporic-vision</loc>
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      <image:title>The Writers' Room - Soft Power and Sacred Futures: Kerry James Marshall’s Diasporic Vision - Make it stand out</image:title>
      <image:caption>Kerry James Marshall, Terra Incognita, 1992. Acrylic, ink and paper collage laid on canvas with metal grommets, 239.4 × 189.5 cm. Private collection. © Kerry James Marshall. Image courtesy the artist and Jack Shainman Gallery, New York</image:caption>
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      <image:title>The Writers' Room - Soft Power and Sacred Futures: Kerry James Marshall’s Diasporic Vision - Make it stand out</image:title>
      <image:caption>Kerry James Marshall, Keeping the Culture, 2010. Oil on board, 76.2 × 121.9 cm. Private collection. © Kerry James Marshall. Photo: Christie’s</image:caption>
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      <image:title>The Writers' Room - Soft Power and Sacred Futures: Kerry James Marshall’s Diasporic Vision - Make it stand out</image:title>
      <image:caption>Kerry James Marshall, Great America, 1994. Acrylic and collage on canvas, 261.6 × 289.6 cm. National Gallery of Art, Washington, DC. Gift of the Collectors Committee, 2011.20.1. © Kerry James Marshall</image:caption>
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      <image:title>The Writers' Room - Soft Power and Sacred Futures: Kerry James Marshall’s Diasporic Vision - Make it stand out</image:title>
      <image:caption>Kerry James Marshall, Portrait of Nat Turner with the Head of His Master, 2011. Acrylic on PVC panel, 91.4 × 74.9 cm. Private collection, Courtesy David Zwirner. © Kerry James Marshall. © Kerry James Marshall. Image courtesy David Zwirner, London. Photo: Kerry McFate</image:caption>
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      <image:title>The Writers' Room - Soft Power and Sacred Futures: Kerry James Marshall’s Diasporic Vision - Make it stand out</image:title>
      <image:caption>Kerry James Marshall, Could This Be Love, 1992. Acrylic and collage on canvas, 261.6 × 289.6 cm. Pinault Collection, Paris. © Kerry James Marshall. Photo: Maxime Verret</image:caption>
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      <image:title>The Writers' Room - DIANE ABBOTT’S 1987 CAMPAIGN</image:title>
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      <image:title>The Writers' Room - DIANE ABBOTT’S 1987 CAMPAIGN</image:title>
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      <image:title>The Writers' Room - DIANE ABBOTT’S 1987 CAMPAIGN</image:title>
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      <image:title>The Writers' Room - DIANE ABBOTT’S 1987 CAMPAIGN</image:title>
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      <image:title>The Writers' Room - DIANE ABBOTT’S 1987 CAMPAIGN</image:title>
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      <image:title>The Writers' Room - DIANE ABBOTT’S 1987 CAMPAIGN</image:title>
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      <image:title>The Writers' Room - DIANE ABBOTT’S 1987 CAMPAIGN</image:title>
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      <image:title>The Writers' Room - OLAMIDE OLOWE ACQUIRES BREAD: A POWER MOVE THAT WILL RESHAPE BLACK BEAUTY</image:title>
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      <image:title>The Writers' Room - OLAMIDE OLOWE ACQUIRES BREAD: A POWER MOVE THAT WILL RESHAPE BLACK BEAUTY</image:title>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>The Writers' Room - HUMANISING YOUR BRAND: HOW TALA FOUNDER GRACE BEVERLEY DOES IT - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>The Writers' Room - INSIDE RUNPAC: HOW A RUN CLUB IS REVOLUTIONISING COMMUNITY MARKETING</image:title>
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      <image:title>The Writers' Room - INSIDE RUNPAC: HOW A RUN CLUB IS REVOLUTIONISING COMMUNITY MARKETING</image:title>
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      <image:title>The Writers' Room - INSIDE RUNPAC: HOW A RUN CLUB IS REVOLUTIONISING COMMUNITY MARKETING</image:title>
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      <image:title>The Writers' Room - INSIDE RUNPAC: HOW A RUN CLUB IS REVOLUTIONISING COMMUNITY MARKETING - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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